New
Zealand artist John Reynolds, he had a range of practice basic on simple,
repeated and
abeyant shapes, he called this project the “plates”, different visual
languages displayed
similar. In his artworks, there is always a vision of
diagram, a multiplicity of possible reading
and a sense of humor.
“Kingdom
come” 2001, it is colorful small-scale lines across canvas, numbers of
square-like
fragments layer over layer, the first glance, there can’t see any
particular orders just busy
and giddy grid patterns, but after focus it brings
a shift of rainbow’s colors and an emotion of
a primary event in abeyance, also
you can just read it as a composition diagram.
“Kingdom come” 2001
Reynolds,
J. (2001). Summer. Wellington: Govett-Brewster Art Gallery and Artspace.
Erika.
Congreve, R. and Gibbs, J. (2002). The Walters prize. New Zealand: Ernst
&Young.
John
Reynolds Nietzsche on Whites Beach. (1996). Retrieved 2013, from
John
Reynolds: Hevn Not To Scale. (2002). Retrieved October 2002, from
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