I did numbers works just try to follow her step, to see if it's working on watercolour painting and how it's worked.
During the experiment, I found that the colours and lines couldn't exist together in a balanced way, the lines always too obvious whatever the background watercolour was bright or dark, even once I drew the lines before did the painting, so the mastery of technique in which her isolates colours from lines and the reunite them will become a challenge to me. I read part of her proposal talked "the lines and colours coexist in balance to make those layers invisible, a whole new space of unparallelled texture and possibility appears".
The qualities of lines are THICK / THIN / QUICK / SLOW / STRONG / DELICATE etc.
The equipment of draw the lines are CHARCOAL / FINELINER etc.

NO.6

NO.7

NO.8
On the other hand, draw the lines need plenty time and patient, it's not a simple movement of repetition, the experiment I got is same as Uchida introduced, each line is different and is impossible to replicate.
REFERENCES
http://onishigallery.com/exhibitions/emi-uchida-trace
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